An autonomous AI agent that handles your releases, pitches playlists, grows your audience, and reports back. 24/7. While you sleep.
You signed up to make music. Instead, you spend your days scheduling posts, hunting playlist curators, analyzing dashboards, writing cold emails, and wondering why your streams plateaued. The tools exist, but they're scattered across 10 platforms and none of them actually do the work.
Upload to 6 platforms, format metadata differently for each, pray nothing glitches on release day.
Post on 4 social platforms, write captions, edit clips, respond to DMs, stay "consistent."
Research curators, write personalized pitches, follow up, track responses. Repeat 50 times per release.
Check Spotify for Artists, Apple Music Connect, YouTube Studio, DistroKid dashboard. Make sense of it all.
DropPilot doesn't give you dashboards. It does the work.
Hand over your track. DropPilot schedules the release across all platforms, optimizes metadata, and coordinates the rollout timeline so everything drops in sync.
Identifies curators who match your sound, writes personalized pitches, sends them, follows up. Not spray-and-pray. Targeted, persistent, respectful outreach that actually lands.
Generates promotional content from your tracks: clips, captions, hashtag strategies, posting schedules. Adapts to what performs. Learns your voice over time.
Weekly briefings on streams, followers, playlist adds, revenue. Not raw data. Insights: what's working, what's not, and what DropPilot is doing about it.
Upload your track. Tell DropPilot your vibe, your goals, your target audience. That's the last time you touch the business side.
DropPilot takes over. Schedules the release, pitches curators, creates social content, monitors performance. Autonomously. Around the clock.
You get weekly reports. Streams go up. Playlist adds accumulate. Your audience grows while you focus on the only thing that matters: making music.
Every hour an artist spends on promotion is an hour they're not creating. DropPilot exists because the business side of music should run itself, so artists can do what they were born to do.